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Nov 21 – 24, 2023
Pinakothek der Moderne, Munich
Europe/Berlin timezone

Correlative X-ray Fluorescence and Ptychography Tomography at the Nanoscale Elucidate Different Smalt Mixtures used in The Night Watch

Nov 22, 2023, 9:35 AM
25m
Ernst von Siemens-Auditorium (Pinakothek der Moderne, Munich)

Ernst von Siemens-Auditorium

Pinakothek der Moderne, Munich

Barer Straße 40 80333 München Germany
Talk Default track Paper and Pigments

Speaker

Fréderique Broers (Rijksmuseum)

Description

In 2019, Operation Night Watch started at the Rijksmuseum in Amsterdam. A wide range of macro-, micro-, and nanoscale techniques were used to study this 17th-century masterpiece by Rembrandt van Rijn (1606-1669). One of Rembrandt’s most commonly used pigments in The Night Watch (1642) is smalt, a ground potash glass colored blue by cobalt (Co) ions.[1] In this synchrotron radiation-based study, we used a combination of nanoscale X-ray fluorescence (XRF) imaging and ptychography, both in tomographic mode[2], to visualize and assess samples from different paint mixtures containing smalt. The experiments were conducted at beamline P06, Petra III, DESY(Hamburg, Germany).
Three samples were studied, taken from Co-containing areas in the painting that have different tonalities and pigment composition (Figure 1a). Due to the irregular shape and variation in size of the smalt particles it is difficult to assess the amount of smalt in the paint samples based on 2D techniques such as light microscopy or SEM-EDX. The 3D investigation of the samples at high spatial resolution enabled us to count the smalt particles, as well as to study their shape and volume. The analysis of the spatial correlation of cobalt with other elements present in smalt (As, Ni, and Bi) provided information about the production process, which in turn allowed determination of whether Rembrandt had used different types of smalt in The Night Watch. Figure 1c shows the 3D distribution of Pb, Fe, Ca, Co, Cu, Ti, and K in one of the samples used to provide semi-quantitative information on the composition of the paint mixtures and the differences between the three smalt-containing samples. Ptychographic reconstruction enabled visualization of the entire paint sample, including the organic fraction and components containing only elements lighter than sulfur, such as glass (SiO2).
[1] L. Robinet, M. Spring, S. Pagès-Camagna, D. Vantelon, and N. Trcera, Anal. Chem. 83, 2011, 5145–5152.
[2] K.W. Bossers, et al., J. Am. Chem. Soc. 142, 2020, 3691−3695

Primary author

Fréderique Broers (Rijksmuseum)

Co-authors

Dr Annelies van Loon (Rijksmuseum) Dr Victor Gonzalez (Université Paris-Saclay) Ms Francesca Gabrieli (Rijksmuseum) Ms Jorien Duivenvoorden (Rijksmuseum, University of Amsterdam) Dr Jan Garrevoet (DESY) Mrs Petria Noble (Rijksmuseum) Koen Janssens (University of Antwerp, Belgium) Dr Florian Meirer (Utrecht University) Prof. Katrien Keune (Rijksmuseum, University of Amsterdam)

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